About Me

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My literary taste runs the gamut from Shakespeare, Poe, and Austen, to Elizabeth Lowell, Toni Morrison, and Jo Nesbo. Though I often read tales that plumb the inner demons of tortured souls, I prefer to write lighter books that my readers can have fun with.

Growing up, my sister and I lived next door to three French girls, who were like sisters to us. It was our friendship that gave me the idea of writing a book series about a group of five girls, plus the wonderful time I spent in Santa Barbara in my 20s.

Set in Santa Barbara, the Cota Club books tell the stories of each of the five friends and reflect the genres that fit each of the characters. That’s why Kristi’s story in Love and Money is a mystery, whereas Carla’s story in The Offering is romantic suspense. Tate’s story in Love and Hate is a thriller. I don’t know yet about Izzy’s, but Gwen’s will turn to the world of the supernatural.

Cloud Cuckoo Land (2021) Anthony Doerr

The story sets up with a young white man's attempt to blow up a library in a small town in Idaho, where a group of students are preparing to put on an ancient Greek play called Cloud Cuckoo Land. Doerr uses this event to untangle the life-stories of the bomber, the old man who translated the ancient Greek play, and then also jumps through history, from the 1500s and the young woman who saved the last remnants of the Greek play, to the future, where a young woman saves the play, to show how this one book has factored into all of their lives. The novel is huge, long, and very jumpy re: character POV and timelines. I confess that I lost track of the various storylines at times, and at other times, I just had to skip ahead. I can see what a labor of love this was for Doerr to write, but I didn't ultimately find it all that compelling a story. Maybe because there was so much fracturing of narrative between the disparate storylines? I suppose the message of hope the book ends with might be something... though the isolated and primitive semi-Arctic world of that future he describes seems like it would be far removed from the experiences of those vast populations to the south, who I'm assuming would be substantially more affected by our warming Earth.

5 characters and their stories separated through time- how they all connect through an Ancient Greek novel. Through the course of the novel, there are pages from the Greek novel - all that survived of folio - as translated by Zeno. Tells a ridiculous story about a guy unhappy with his life circumstances. He makes a deal with a witch or something and turns into a donkey, later a fish, all on a quest to get to imaginary land in the sky where birds live in castles and delicious food everywhere. Eventually he makes it there and finds out he prolly should’ve stayed home…

Book opens with a strange seemingly outer space experience of 12 yr old girl Konstance alone on an apparent airship with a computer. 2064 year


Then Seymour who’s going to blow up a library on February 20, 2020 - Lakeport Idaho.


Zeno is old man in same library helping kids put on play about Cloud Cuckoo Land - the Greek novel


Anna- a 12 year old Christian seamstress in 1400s in Constantinople, who is unsatisfied with her proscribed life, and yearns for more. Obsessed with a mural she sees about cloud country…


Omeir - Muslim Bulgarian 12 yr old boy with a cleft palate who has oxen and gets conscripted into a military move against Constantinople.


Book unpacks each of their stories - Zeno in the Korean War and in love with another military guy in prison, Rex, who teaches him Ancient Greek. Now an old man who’s taking over translating ancient folio Rex. And putting on a play. Seymour has sensory issues and his safe space in forest is destroyed by new housing development- the unfairness and difficulties of being poor


Ack! Book very detailed and intertwined. In the end, it turns out Seymour who’s been in jail for a bomb incident hired to computer debug Atlas program (kind of like Google maps) ends up 20 yrs later putting on a party for the now grown up kids from the bomb incident.


Zeno saved children by running out of the library with a bomb, and running down to the lake where he gets blown up.


Anna dies after marrying Omeir and bearing 3 sons who survive. Omeir saves the book she’s brought out of Constantinople and walks all the way to Urbino Italy where he surrenders it to the library- originally mentioned by Anna to him- an image of Urbino on a snuff box she took from Constantinople.


Konstance isn’t actually in outer space but in an experimental pod on earth- and she breaks out at the end- years later with a kid reading him the novel which she copied on scraps of paper when in the pod.


Heart of Darkness (1902) Joseph Conrad

So many people have written reviews, that I feel kind of silly adding my 2 cents. The last time I read Heart of Darkness was when I was an undergraduate in college, so it's been some decades now. My daughter's reading it in her high school AP Literature class, and I thought, why not revisit it? It's very interesting to see how my impressions differ from those of my earlier days. 

Having tried my hand at writing several novels,  I'm blown away by the sophistication of Conrad's book. My writing, which is very much "genre fiction" tends to be pretty much plot-focused. I also feel like most communication these digital days is also plot-focused, in that the reader is asking: "What's the point?" "What's the bottom-line?" "Don't waste time" -- Just like writing this review, you're probably wondering - OK, what's the point?

The point is -- Conrad's book has the complexity of a piece by Beethoven or Rachmaninoff, something dense, slow to digest - whereas my stuff is "Chopsticks" - and a lot of books these days (due probably in part to the constraints put on writers by the publishing industry to write "sellable" books) are written for quick consumption and written fast, so the writers can earn their livings...

Another thing that stood out for me in reading the book in the current cultural context is how much Conrad (or is it merely Marlow's POV?) criticizes Imperialism and racism (despite the historically dated use of his own racist language).  He's pretty damning about "whiteness" - in his own particular way. When I was in college, our class spent a lot of time on the symbolism of good/evil, but I don't remember discussing this aspect of the book.

Finanly, in my earlier reading of the book, I didn't notice how all of Kurtz's alleged "greatness of ideas" (that so impressed Marlow) are never actually uttered in the book - leaving a haunting absence - except for those famous words: "The horror, the horror."