About Me

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My literary taste runs the gamut from Shakespeare, Poe, and Austen, to Elizabeth Lowell, Toni Morrison, and Jo Nesbo. Though I often read tales that plumb the inner demons of tortured souls, I prefer to write lighter books that my readers can have fun with.

Growing up, my sister and I lived next door to three French girls, who were like sisters to us. It was our friendship that gave me the idea of writing a book series about a group of five girls, plus the wonderful time I spent in Santa Barbara in my 20s.

Set in Santa Barbara, the Cota Club books tell the stories of each of the five friends and reflect the genres that fit each of the characters. That’s why Kristi’s story in Love and Money is a mystery, whereas Carla’s story in The Offering is romantic suspense. Tate’s story in Love and Hate is a thriller. I don’t know yet about Izzy’s, but Gwen’s will turn to the world of the supernatural.

Heart of Darkness (1902) Joseph Conrad

So many people have written reviews, that I feel kind of silly adding my 2 cents. The last time I read Heart of Darkness was when I was an undergraduate in college, so it's been some decades now. My daughter's reading it in her high school AP Literature class, and I thought, why not revisit it? It's very interesting to see how my impressions differ from those of my earlier days. 

Having tried my hand at writing several novels,  I'm blown away by the sophistication of Conrad's book. My writing, which is very much "genre fiction" tends to be pretty much plot-focused. I also feel like most communication these digital days is also plot-focused, in that the reader is asking: "What's the point?" "What's the bottom-line?" "Don't waste time" -- Just like writing this review, you're probably wondering - OK, what's the point?

The point is -- Conrad's book has the complexity of a piece by Beethoven or Rachmaninoff, something dense, slow to digest - whereas my stuff is "Chopsticks" - and a lot of books these days (due probably in part to the constraints put on writers by the publishing industry to write "sellable" books) are written for quick consumption and written fast, so the writers can earn their livings...

Another thing that stood out for me in reading the book in the current cultural context is how much Conrad (or is it merely Marlow's POV?) criticizes Imperialism and racism (despite the historically dated use of his own racist language).  He's pretty damning about "whiteness" - in his own particular way. When I was in college, our class spent a lot of time on the symbolism of good/evil, but I don't remember discussing this aspect of the book.

Finanly, in my earlier reading of the book, I didn't notice how all of Kurtz's alleged "greatness of ideas" (that so impressed Marlow) are never actually uttered in the book - leaving a haunting absence - except for those famous words: "The horror, the horror."